Chapter 4 - THE MAFIA BOSS BOUGHT HER FATHER'S ABANDONED MUSIC SHOP—BUT WHAT HIS MAID DISCOVERED BEHIND THE LOCKED PIANO MADE HER COLLAPSE IN TEARS

For four years, I believed my father's shop had been the last safe place in the world.
Then somebody broke into it and left a threat with my name on it.
The security guard had barely finished reading the message when Cassian Voss reached for his coat. His expression was so controlled that I knew he was furious. I stood beside his desk, the recovered recording still echoing in my ears. My father's voice had returned from the dead only to reveal that Cassian's father, Augustus Voss, had ordered someone to silence him. A threat at the shop felt less like a warning than a continuation of that old conversation.
“I'm coming,” I said.
“No,” Cassian answered. “Whoever left that message wants you to come.”
“It's my father's shop.”
“I know.”
“Then you know why I can't sit here waiting for somebody else to tell me what happened to it.”
He studied me. I expected another command. Instead, he asked, “Will you agree to stay with the security team and follow their instructions if anything looks wrong?”
“Yes.”
“Then we go together.”
Marco Bellini looked as though he wanted to object, but Cassian had already made his decision. Twenty minutes later, our cars rolled through Queens beneath a bruised evening sky. I watched familiar streets pass the windows. There was the laundromat where Dad bought me hot chocolate on winter mornings, the little grocery where he traded piano repairs for fresh vegetables, and the bus stop where Julian once kissed me goodbye before leaving with our money. Every corner held a memory. Some of them were still beautiful. Others had become sharp enough to hurt.
Marlow & Daughter stood between a tailor's shop and a boarded-up pharmacy. Its blue awning had faded almost gray. One window was cracked, and the brass letters of the sign had lost their shine. But it was still ours in the only way that mattered to me. Dad had painted that sign himself, insisting that my name belonged beside his long before I could legally sign a contract.
A uniformed officer stood at the entrance. Marco spoke to him and arranged for us to enter once the scene had been documented. Inside, dust floated through the beam of a flashlight. A stool lay on its side. Drawers had been opened. Sheet music covered the floor like fallen leaves.
I stopped in the doorway.
“No,” I whispered.
The intruder had torn open the bench where I used to sit and watch Dad work. He had smashed a framed photograph of us at my first recital. Worse, somebody had dragged a knife through the old worktable, carving the words STOP PLAYING into the wood.
Cassian stayed beside me without touching me. “We can leave.”
“I want to see.”
I crossed the room and lifted the broken photograph. Dad stood in a cheap brown suit, grinning as though I had won the entire world instead of a small silver trophy. I was eleven, missing a front tooth, holding his hand. My throat tightened.
“Who would do this?”
“We're going to find out,” Cassian said.
I turned toward the back workshop. Its door was shut, though the lock had been forced. Inside stood the upright piano Dad had kept after the shop closed. Its keys were yellow, and the walnut veneer had worn away near middle C. He called it the Sparrow because it was small and stubborn and refused to sing unless someone treated it gently.
I approached. The lid was closed. A heavy chain had been wound around the cabinet, fastened with a padlock I had never seen before.
“That's new,” I said.
Marco examined it. “The intruder may have installed it.”
“Why lock a piano?”
“Perhaps to make sure someone comes back for it.”
I thought of the message in the Voss office. The first key is not a key. Trust the music. My father had left instructions inside the Rosewood Queen, but perhaps the story had never ended there.
“Don't cut it yet,” I said. “I want photographs.”
Marco nodded approvingly and called the scene technician back. Once the chain had been documented and checked, it was removed. I lifted the fallboard. Beneath the keys, somebody had tucked a folded piece of paper into the narrow space above the pedals. It was too clean to have been there for years.
I unfolded it with gloved hands.
ONE MORE PERFORMANCE, ELENA. THEN WE COLLECT WHAT BELONGS TO US.
My heart slammed against my ribs. “They know about Adrian's audition.”
Cassian read over my shoulder. “Or they're assuming you'll play again.”
“Who is 'we'?”
He looked at Marco. “Preserve it.”
I glanced toward the old wall clock. It had stopped at 4:17 years ago. Dad had never fixed it because, he joked, even clocks deserved a holiday. Something about that memory snagged in my mind. The first key is not a key. Count the silence before you count the notes. Four. One. Seven. A number, perhaps. Or a measure.
I sat on the bench and pressed the lowest A. It sounded horribly flat. Then I played the first four notes of the lullaby Dad used to hum when I couldn't sleep. The fourth key stuck. I tried again. The note refused to rise.
“There's something under it.”
Marco moved closer. “Let the technician inspect it.”
I nodded. With careful tools, the technician lifted the key and found a thin strip of blue paper taped beneath the wooden lever. Dad's handwriting covered one side.
ELLIE—IF YOU FOUND THE SPARROW, YOU REMEMBERED TO LISTEN. THE REST IS UNDER THE PLACE WHERE WE COUNTED SILENCE.
I began to cry before I reached the final word. Dad had written it to me. Not to investigators or the Voss family or the people who hunted his evidence. To me.
“Where did you count silence?” Cassian asked softly.
“Everywhere,” I said. “He said silence was part of the music.”
I closed my eyes. The shop. Lessons. A metronome. A little brass plate engraved with four rests, one quarter rest and three eighth rests. Dad had mounted it behind the practice room mirror. He used to point at it whenever I rushed a phrase.
“The mirror.”
We crossed the room. The mirror hung crooked above a narrow shelf. Behind it, hidden inside a shallow recess, was a metal cash box. Its clasp had rusted. Marco photographed it and asked the technician to open it without damaging the contents.
Inside lay a stack of letters tied with blue ribbon, a small envelope marked ELENA, and a cassette tape in a clear case. My name was written across the envelope in Dad's sloping handwriting.
I couldn't move.
Cassian stepped away, giving me room. “Take your time.”
I opened the envelope.
My dearest Ellie,
If you are reading this, then I have failed to tell you the truth while I could still hold your hand. I am sorry. I was afraid, and fear made me silent when I should have been brave. But I never stopped believing in you. The music is yours. The shop is yours. The truth is yours, too. Don't let anyone convince you that love must be earned by suffering. You have already given enough.
I sat on the floor because my legs would no longer support me. The letter blurred. For years, I had replayed every decision that preceded Dad's death, convinced I should have worked harder or noticed Julian's lies sooner. Now my father was telling me, in his own handwriting, that I had given enough.
I pressed the letter to my chest and sobbed.
Cassian crouched nearby. “Elena?”
“I thought he blamed me,” I whispered. “He never said it. I just thought—if I'd been smarter, if I'd saved more—”
“He didn't blame you.”
“No.” I looked at the paper. “He didn't.”
Cassian's eyes shone, though his voice remained steady. “Would you like me to leave you alone?”
“Stay. Please.”
He sat beside me on the dusty floor. No promises. No speeches. Just the quiet presence of someone who was willing to witness grief without trying to solve it.
When I could breathe again, I opened the other letters. Some were addressed to a woman named Helena Price, a bookkeeper at Northbridge Cultural Holdings. Others listed invoice numbers and shipments. One contained a photograph of Julian speaking with Augustus Voss outside the workshop. Another showed a third man, narrow-faced and dark-haired, standing beside a van. On the back, Dad had written: SILAS ROURKE. DO NOT TRUST.
Cassian stared at the photograph. “Rourke was my father's operations director.”
“Was?”
“He disappeared after my father died. I was told he'd gone overseas.”
I felt a cold weight settle in my stomach. “What if he didn't?”
Cassian called Marco over. Marco's face tightened when he saw the picture. “We need to compare this with the footage from the break-in.”
There was one more envelope. It contained a photocopy of a contract signed by Augustus Voss and a handwritten receipt for the Rosewood Queen. The price was one dollar. In the margin, Dad had written: PURCHASE WAS A COVER. THE INSTRUMENT WAS COLLATERAL FOR THE RECORDS.
“Collateral?” I asked.
Cassian examined the paper. “My father may have used the piano to conceal evidence and later tried to recover it.”
“Then why let Dad keep a copy?”
“Perhaps he never knew Arthur made one.”
I looked at the cassette. “We need to hear this.”
“Not until it's copied safely,” Marco said. “The tape may be fragile.”
I nodded, though waiting felt unbearable. Cassian gave instructions for an independent forensic specialist to preserve the original. He also asked that copies of the documents go to an attorney outside the Voss organization. I watched him make the call and realized he was deliberately taking the evidence beyond his own control.
“You really mean to expose your father,” I said.
Cassian lowered the phone. “I mean to expose whoever harmed Arthur. His name doesn't change that.”
“But what if it destroys your business?”
“Then I build something better.”
The answer sounded easy. I suspected it wasn't.
Outside, a crowd had gathered beyond the police tape. Someone had recognized Cassian's car. A reporter shouted a question about the allegations against me. Another called me his mistress. Cassian looked at the cameras, then at me.
“You can leave through the rear door.”
I shook my head. “I'm tired of hiding.”
He didn't argue. We walked out together. The cameras flashed. I felt my stomach twist, but I kept my chin lifted.
A reporter called, “Miss Marlow, did you steal documents from the Voss estate?”
“No,” I said. “I came to my father's shop because somebody broke into it.”
“Are you and Mr. Voss romantically involved?”
“That's not what matters tonight.”
“What does matter?”
I held up the envelope bearing my name. “My father was a good man. People are spreading lies about him, and I intend to find out why.”
Cassian didn't interrupt. When we reached the car, he opened the door for me and waited until I was safely inside.
During the drive, I stared at the shop through the rear window until it disappeared. “I don't even know who owns the building anymore,” I admitted. “The landlord sold it after Dad died. I couldn't keep paying the rent.”
Cassian was quiet. “Would you ever want it back?”
“Of course. But I can't afford—”
“I didn't ask whether you could afford it.”
I turned sharply. “Don't buy me a building.”
His mouth twitched. “I was going to suggest finding out whether the property was available and what the legal options were. If you want it, we can discuss an arrangement you control.”
I studied him. “You keep doing that.”
“What?”
“Making an offer and then leaving the choice to me.”
“It should be your choice.”
I looked away, embarrassed by how unusual that still felt.
At the mansion, Margaret had tea waiting. I sat in the library while Cassian and Marco reviewed the evidence. Hours later, Cassian returned with news. The current owner had agreed to sell the shop. Cassian had purchased it through a separate property company, and the paperwork was already being reviewed.
I stared at him. “You bought it?”
“Yes.”
“After I told you not to buy me a building?”
“I bought the property. I haven't given it to you.” He looked almost sheepish. “I thought preserving the site would prevent anyone else from destroying it. If you want to operate there, we'll arrange a fair lease or a sale on terms you choose. If not, I'll sell it.”
I wanted to be angry. Part of me was. But another part remembered the broken window, the ruined workbench, the sign Dad had painted himself. “You should have asked first.”
“You're right.”
I blinked. “That's all?”
“I made the decision too quickly. I'm sorry.”
I stared at this huge, tattooed man who commanded rooms with a glance and apparently knew how to apologize. “I want the shop,” I admitted. “But I want to earn it.”
“Then we'll put everything in writing.”
I nodded. “And I want it to teach children. The ones who can't pay.”
Cassian smiled. “Arthur would have liked that.”
For the first time all day, I smiled back.
At eleven, Marco entered with a laptop. The cassette had been digitized. We gathered around the table. Static hissed through the speakers. Then my father's voice filled the room.
“Helena, if this reaches you, I have copied the ledger. Augustus thinks the piano contains the only record. He's wrong. The numbers are not just money. They're payments for shipments, for threats, for people who vanished. I won't let Elena become another name on that list.”
My breath caught.
A second voice spoke. A woman. “Arthur, take your daughter and leave.”
“I tried. Julian knows where we live.”
A door slammed somewhere in the recording. Then my father whispered, “If they come for me, tell her the truth about the hospital.”
The tape ended.
I stared at the screen. “What truth about the hospital?”
Marco looked at Cassian. Cassian looked at the ledger.
Then my phone lit up with a message from an unknown number.
YOU FOUND THE BOX. NOW ASK YOUR NEW BOYFRIEND WHY HIS FATHER PAID FOR ARTHUR'S LAST HOSPITAL ROOM.
I showed Cassian. His face went pale.
“Did your father pay for Dad's treatment?” I asked.
“I don't know.”
“Then find out.”
Cassian nodded. “I will.”
A second message arrived before he could move.
THE NEXT PERFORMANCE WILL BE YOUR LAST.
I looked toward the piano in the corner. My father's words echoed in my mind: Finish what you begin.
Whoever was threatening me thought fear would make me stop playing. For the first time, I understood that music might be the one thing they couldn't take from me.
I looked at Cassian. “Tell Adrian I'm accepting the audition.”
He studied me. “Are you sure?”
May you like
“Yes.” I folded Dad's letter carefully and put it against my heart. “I'm going to play. And I'm going to make sure the truth is heard.”
END OF CHAPTER 4
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