Chapter 2 - The Dead Woman's Warning—and the Maid Who Became a Target

The first thing Dante Moretti did was order every camera in the mansion preserved. The second was to take his son into his arms.
Owen resisted for half a heartbeat. Then he folded against his father's chest, still holding Naomi's sleeve as if letting go would make her disappear.
"I didn't do anything bad," the boy whispered.
"I know." Dante's voice was rough. "You kept something your mother asked you to keep. You did exactly what she told you."
Naomi watched the man everyone in New York feared struggle to say the next words.
"I'm proud of you, son."
Owen's face crumpled. He buried it in his father's shoulder. Dante closed his eyes and held him tighter.
Marco appeared at the doorway, one hand pressed to the earpiece beneath his collar. "Constance isn't in her suite. Her driver says she left twenty minutes ago."
Dante opened his eyes. "Before the lockdown?"
"Yes. The west gate camera caught her car."
Naomi felt the small memory card digging into her palm. In the confusion, she'd kept it while Dante took the note. Now she held it up.
"Then she might not know we found this," Naomi said.
Marco looked at the card. "Or she knows exactly what you found."
Dante shifted Owen to his other arm. "Get a clean laptop. No network connection. I want whatever is on that card copied before anybody touches it. And call Dr. Mercer. Owen's had enough excitement for one night."
"I don't need a doctor," Owen protested.
"Then she can tell me that herself," Dante said, and kissed his son's hair.
Naomi's stomach tightened. The mansion had seemed dangerous when she arrived. Now the danger had a shape: a woman who smiled at children, wore pearls to breakfast, and might have helped kill her own sister.
"Mr. Moretti," she said, "someone was outside my door."
Dante turned sharply. "You saw them?"
"No. But the floor creaked. Right after you came in. I thought it was one of your guards."
Marco's expression darkened. "Nobody was assigned to this corridor."
For a moment, the only sound was Owen breathing against his father's shoulder.
"Then we assume the house is compromised," Dante said.
***
Naomi had imagined that a mafia boss would respond to betrayal with shouting, broken furniture, perhaps a gun drawn from somewhere beneath an expensive jacket. Dante did none of those things.
He moved Owen into a bedroom beside his own, dismissed half the night staff with full pay, and brought in two security officers from a separate detail. He personally checked the windows before allowing his son to sleep. Then he asked Naomi to sit in his office while Marco examined the card.
"You can leave," Dante told her.
She looked at him across the broad walnut desk. "Is that a suggestion or an order?"
"An offer. I'll pay six months' wages and arrange a safe place for you."
"And Owen?"
Dante said nothing.
"He just asked me if I was leaving," Naomi said. "He trusted me with the one thing his mother left him. I'm not walking out without telling him why."
"This isn't a game, Miss Brooks."
"I know that. I was in the room when you said someone murdered your wife."
A muscle moved in his jaw. "You have a family in Ohio. A father. A brother. I won't pretend your life is worth less because you work for me."
Naomi hadn't expected that answer. She had expected him to argue that his son needed her, or that he could protect anyone under his roof. Instead he was giving her a chance to escape.
"Then don't pretend I can't make my own decision," she replied.
He studied her for a long moment. "You can stay tonight. Tomorrow we talk again."
"Fair enough."
The door opened. Marco entered with a silver laptop and the expression of a man who wished he could unsee something.
"There's a video," he said. "Dated four days before Clare died."
Dante stood so abruptly his chair rolled backward.
"Play it."
The screen showed a small sunroom. Afternoon light fell across a table scattered with children's drawings. Clare Moretti appeared in the frame, her hair pulled into a loose knot. She looked younger than in the framed portraits downstairs, less polished, more alive.
"If you're watching this," she said, "then I wasn't able to fix what I found."
Dante gripped the back of his chair.
Clare glanced toward a door outside the camera's view. "Dante, I didn't tell you because I was afraid you'd confront the wrong person. Someone has been moving money through the children's foundation. Not just stealing. Paying people to arrange shipments through the north pier. I found invoices signed in my name. I never signed them."
She held up a document to the camera. The image blurred, then sharpened on a seal Naomi recognized from the estate's stationery: the Moretti Family Foundation.
"I traced the accounts to a company called Bellwether Holdings. Constance told me it was a donor. She lied."
Dante whispered, "No."
Clare swallowed. "I know my sister. I know what she's capable of when she's frightened. But this isn't just her. There's someone inside your organization helping her. Someone you trust."
A door slammed in the recording. Clare flinched and reached for the camera.
"I made copies. The rest is in the blue ledger. If anything happens to me, protect Owen. And Dante—"
Her eyes filled with tears.
"Don't let them turn you into the monster they keep telling the world you are."
The screen went black.
No one spoke.
Naomi could hear the quiet hum of the office air conditioner. Dante's hand was still on the chair, but his knuckles had turned white.
"Is there more?" he asked.
"Three encrypted files," Marco said. "We'll need time."
Dante stared at the blank screen. "I told her not to worry about the foundation. I said I'd handle the paperwork."
"You didn't know," Naomi said.
He looked at her. "I should have listened."
She didn't try to comfort him with a lie. "Then listen now."
***
At three in the morning, Naomi found Owen awake beside the window. He had drawn a little airplane on the fogged glass with one finger.
"I heard Dad crying," he said without turning around.
Naomi stopped. She hadn't heard it. Somehow that made the confession harder.
"Grown-ups cry sometimes," she said.
"Not my dad."
"Maybe he needed to."
Owen pressed his palm against the glass. "Aunt Constance says Daddy makes people scared because that's the only way he knows how to love them."
Naomi crouched beside him. "What do you think?"
"I think he's scared too."
She couldn't disagree.
"Do you think Mommy was scared?" he asked.
"I think your mother was very brave."
"But brave people don't die."
Naomi took a breath. "Sometimes they do, sweetheart. Being brave means doing the right thing even when you're afraid. It doesn't mean nothing bad can happen."
Owen turned toward her, eyes wet. "Was I brave when I gave you the airplane?"
"Very."
"Then why do I feel sick?"
She put a hand over his small one. "Because brave and scared can happen at the same time."
He leaned against her shoulder. She stayed until his breathing slowed and the sky began to lighten over the trees.
Downstairs, Dante watched the silent hallway camera feed. He had meant only to check that Owen was safe. Instead he saw Naomi settle a blanket over his son and remain in the chair beside his bed, refusing to leave even after the boy fell asleep.
For years, people had told Dante they would do anything for his family. Most of them meant they would do anything for his money. Naomi had been offered an escape and stayed anyway.
He closed the monitor before he could start confusing gratitude with something else.
***
By breakfast, Constance had returned.
She swept into the dining room carrying a cream handbag and a rehearsed expression of concern. "Dante, darling, I heard there was some sort of security incident."
Naomi stood at the sideboard pouring Owen's milk. She kept her eyes on the glass.
"Where were you last night?" Dante asked.
Constance paused. "At the Ashford apartment. I told Dolores."
"You left without your driver."
"My driver was delayed. Is that a crime now?"
"Depends on where you went."
Her smile tightened. "What a strange thing to say."
Owen entered and stopped at the doorway. Constance reached for him, but he moved behind Naomi.
The gesture lasted less than a second. It was enough.
"Owen," Constance said, "come give your aunt a hug."
"I don't want to."
She looked to Dante, expecting correction. He only pulled out a chair for his son.
"He said no," Dante replied.
Constance's eyes flicked toward Naomi. "I see the new maid has been teaching everyone manners."
"She has," Dante said. "You might learn something."
Naomi nearly dropped the milk pitcher.
Constance's smile vanished. Then, just as quickly, it returned.
"May I speak to you privately?" she asked.
"After breakfast."
"It's important."
"So is my son."
For the first time since Naomi had arrived, Dante sat down and ate with Owen. He asked about the boy's favorite book. He listened to an elaborate explanation of why sharks were better than dinosaurs. He even laughed when Owen insisted that a shark would win a fight with a helicopter if the helicopter fell into the ocean.
Constance remained standing at the end of the table, unable to control a conversation that no longer belonged to her.
Naomi knew she was watching a change. She also knew that change had made her an enemy.
***
At noon, Naomi went to the laundry room to collect Owen's clean clothes. Her phone buzzed with a message from her brother Terry.
DAD SAYS SOMEONE CALLED THE STORE ASKING ABOUT YOU. THEY WOULDN'T GIVE A NAME. EVERYTHING OKAY?
She typed a quick reply telling him not to share her address or schedule with strangers. Before she could send a second message, the laundry room door clicked shut.
A man stood in front of it.
Naomi recognized him from the kitchen: a new groundskeeper with a square face and a thin white scar on his chin.
"You work too hard," he said.
"I have laundry to finish."
"You should have taken Mr. Moretti's offer."
Her heartbeat stuttered. "What offer?"
"The one where you go home."
She set the folded shirts on the counter. The nearest exit was behind him. A heavy steam iron sat within reach, but its cord was tangled around a rack.
"Who sent you?" she asked.
He took a step forward. "Some questions don't need answers."
Naomi snatched the metal laundry cart and shoved it between them. The man stumbled against the wall. She ran for the service bell, slapped the red button, and screamed for help.
He grabbed her wrist. Pain shot up her arm.
"Quiet!"
"Let go of me!"
The door flew open.
Marco entered first. The groundskeeper released her and lunged for the hallway. Marco caught him before he took three steps. The struggle was brief and ugly. By the time Dante arrived, the man was pinned facedown on the tile.
Dante looked at Naomi's wrist. Red marks were already rising on her skin.
"Did he hurt you?"
"I'm okay," she said, though she was shaking.
"That's not what I asked."
She met his eyes. "He grabbed me. He said I should have gone home."
Dante turned toward the prisoner. "Who hired you?"
The man stared at the floor.
"Marco," Dante said, "call the police. I want him charged. And I want the security footage secured before anybody gets clever."
The groundskeeper laughed once. "You think the police can protect her?"
Dante's expression went flat. "No. I think they'll want to know why a man carrying three different IDs assaulted an employee in my home."
Marco searched the man's pockets. He found a burner phone, two sets of keys, and a folded photograph.
The photograph showed Naomi outside her father's hardware store in Ohio.
On the back, written in black ink, were four words.
SHE KNOWS ABOUT CLARE.
Naomi stared at her own smiling face in the photograph. It had been taken last summer, before she ever heard the Moretti name.
"They've been watching me?" she whispered.
Dante took the photograph from Marco. "Not just since last night."
A terrible possibility passed between them. If the photograph was old, Naomi's arrival might not have been an accident. Someone had chosen her long before she answered the advertisement.
Then Marco's phone rang. He listened, turned pale, and looked at Dante.
"Boss, the foundation's accountant was found dead this morning. Police say it looks like a fall."
Dante didn't move. "Name?"
"Elliot Vane."
Dante stared at him. "He was the last person Clare met before the crash."
Naomi felt the room tilt.
Somewhere upstairs, Owen began calling for her.
May you like
And from the captured groundskeeper's burner phone, a new message lit the screen:
THE BOY IS NEXT.
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